THE ANCIENT IRISH SAGAS
NEXT to developing original writers in its own time, the most fortunate thing, from the literary standpoint, which can befall any people is to have revealed to it some new treasure-house of literature. This treasure-house may be stored with the writings of another people in the present, or else with the writings of a buried past. But a few generations ago, in that innocent age when Blackstone could speak of the "Goths, Huns, Franks, and Vandals" —incongruous gathering as "Celtic" tribes, the long-vanished literatures of the ancestors of the present European nations, the epics, the sagas, the stories in verse or prose, were hardly known to, or regarded by, their educated and cultivated descendants. Gradually, and chiefly in the nineteenth century, these forgotten literatures, or fragments of them, were one by one recovered. They are various in merit and interest, in antiquity and extent—"Beowulf," the Norse sagas, the "Kalevala," the "Nibelungenlied," the "Song of Roland," the Arthurian cycle of romances. In some there is but one great poem; in some all the poems or stories are of one type; in others, as in the case of the Norse sagas, a wide range of history, myth, and personal biography is covered.
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